Museo Monte Piedad (Banco Ciudad)

Your intrepid museum enthusiast is laid up with a heckin bad headache today, owing largely to sinus pain. As it is a cold, rainy day, fabulous conditions for staying in with fuzzy socks and hot chocolate, I’m going to write this one up anyway.

Finding myself in the barrio of Boedo earlier this week, I checked Google Maps for a museum I might burn a little spare time in. I stumbled upon Museo Monte Piedad, which is the museum of Banco Ciudad, or City Bank, which, if I am remembering the tour correctly, has been in continuous operation for 140 years. The museum is in a very small space, and has been curated with great care. I was the only visitor.

As I have mentioned before, my Spanish is shaky, at best. The docent/staff member/could-have-been-the-actual-curator-I-did-not-catch-her-name did not speak English. But I gathered that I had wandered in at roughly the time for guided tours, and she was game for taking a shot at educating me. The only available English material was pretty bare, and since I was on a tour, I did much more attending to what I was hearing than reading, so please forgive my shoddy memory.

The guide is a credit to her profession as an educator. I understood that school children are the primary visitors, and they must be well-served. She was a very competent communicator, able to convey the meanings of important words not yet in my vocabulary through examples. Top notch.

The museum is located on the 2nd floor (3rd by US reckoning) of this building:

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The museum, to borrow a phrase from La Nacion, tells the story of the bank and its relationship with the community, and its exhibits are given historical context. The history of the bank starts with an influx of immigrants in the last half of the 19th century.

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The poor who came to Buenos Aires frequently found themselves victims of usury and other predatory financial practices, and Banco Ciudad was founded to help combat these practices and serve the vulnerable population. The bank gave loans secured by any items of value the borrower had with minimal interest. Today, the bank still makes these sorts of loans, but only with two types of items: fine art and precious metals/gems. Two gemologists are still on staff, in fact.

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The gem lab was founded in 1939

The museum hall includes some of the city history in the late 19th/early 20th century, as the bank was beginning its development–the movement of the population following the yellow fever epidemic, the conditions working class families lived in, and the political and labor movements of the time.

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Artifacts from the old days, including a book of early employees.

Next, there is a neat collection of work-related items from the 1910-1930s. As Argentina didn’t really do any manufacturing, this stuff came from abroad.

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This beast of a US-made machine is a calculator, which could perform FOUR WHOLE FUNCTIONS. If you were ever bothered by the bulk of your graphing calculator, at least it didn’t require its own table.
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English scale.
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The somewhat shapelier French model.

There is an area of the museum dedicated to the cafe Biarritz, which used to occupy the space the museum building takes up now. That cafe was a center of art in the working class neighborhood (la peña Pacha Camac, an artistic club in the 30s that I really need to learn more about), an important part of the history of Boedo.

Next up, the bank in the 1940s! The tellers actually got chairs for the first time.

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But not comfy ones.

Reforms during the Peron era led to the employment of the ladies.

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There’s also a lot of advertisements for auctions held at the bank:

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The displays moving into the 60s include examples of uniforms:

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I dig the belt.

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Ever the fan of incorporating multimedia presentations/interactive exhibits in museums, I was pleased to see (although too unskilled to use) an oral history archive, given by former bank employees:

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There is also a very interesting artifact and display from the bank’s more recent history: the 2001 economic crisis. The government collapsed and panicked bank customers beat the bronze door railing, which is here:

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It was not a calm time, understandably.

On the whole, it was a fascinating museum! My deep appreciation to my guide, who was fantastic. If you understand zero Spanish, this museum won’t be able to offer you much, but if you can at least get by, and have an interest in local history, it is worth a visit.

The museum is at Boedo 870, a couple of blocks from the Boedo stop on the E subway line. It’s open Monday-Friday from 10am to 5pm. Guided tours are at 1030 and 230 during the school year. Plenty of places to eat or have a coffee right around it, including the Notable Café Margot and Esquina Homero Manzi.

This Counts, Probably

This is a row of buildings in Barrio Chino. It’s private property; you can’t go in.

I don’t know what the City Museum Prize is, or was. But this place earned it.

City Museum Prize. Living testament of the city memory. For having maintained to the present its original character and decor.

Though it’s a bit cheeky having a “museum prize” for something no one can go into.

Luján: Complejo Museográfico Provincial Enrique Udaondo: Museo del Transporte [Enrique Udaondo Provincial Museum Complex: Museum of Transport]

Our third stop in Luján is part of the museum complex, in much larger buildings, because it’s got a bunch of moving things in it!

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Now, normally, I’m not a big fan of transportation museums.  Things that transport are pretty utilitarian to me; it would be like visiting a museum of hammers.  Cars are especially boring.  But fortunately for me, this museum was chock full of OLD-TIMEY TRANSPORTS.  And those are much more fun.

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You know how big this is? I wish I got someone to stand next to it for scale. The wheel was person-high.

Old-timey things are often interesting because of their scale.  It is difficult, for whatever reason, to accurately imagine the size of things without our bodies physically there to compare to.  If you only see representations on TV or on paper, it’s still a bit startling when you find yourself occupying the meatspace with a covered wagon, a steam engine, or an NBA player.

The museum’s steam engine and train cars were not available to climbing, but they thoughtfully included very scary mannequins.

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“Oh, it’s La Porteña, from 1857! How charming!”
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“DEAR GOD THE FACES”
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If you stare long enough, you’ll swear you can see them move.

Let’s take a look at a carriage for classy people!  This one was presidential, so it has the fancy national logo.

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From back when assassination was actually a challenge.

I really liked the bicycles.

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Ricardo Nuñez Saavedra rode this bike all over the world, from 1963-1966. His thighs must have been insane.

You can also find the Plus Ultra, the first plane to cross the southern Atlantic, in 1926. It was given to the Argentine Navy and also delivered mail.

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There is a sailboat!

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I…I don’t remember anything about the sailboat.

Now there is apparently a popemobile that I did not notice, and there are many, many carriages on display, but the most impressive are the 1880 funeral coaches:

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Feathers? Cool.

So that’s the Museum of Transport, and it was much more fun than I expected it to be.  Open seven days a week with a very inexpensive ticket.  I leave you with a couple of views of a nearby mural, that I think is on one of the museum buildings.

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Luján: Complejo Museográfico Provincial Enrique Udaondo: El Museo Colonial e Historico [Enrique Udaondo Provincial Museum Complex: The Colonial and Historical Museum]

Continuing the whirlwind tour of my whirlwind tour of museums in Luján, this is the El Museo Colonial e Historico in the Complejo Museográfico Provincial Enrique Udaondo:

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I was clearly snapping photos on the move that day, but try to forgive me, as I was also trying to limit the number of tourists in my shots and the square was lousy with them.

The museum is comprised of the oldest buildings in the province, if my obscenely poor Spanish serves, and so provides some lovely examples of colonial era architecture.

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It also provides examples of a variety of historical thingamajigs.

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Mates and bombillas have not changed much.

 

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The drawing is of national hero and father of the nation General José de San Martín, so I thiiiiiiiiink epaulets and sword are his?
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“Without education, we will never be more than we unfortunately are.” Although there doesn’t seem to be a really good translation for “desgraciadamente.” Yes, this is a library catalog.
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Ouch.
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Ouch.
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OUCH OH MY GOD WHY (it’s a cilice)

There’s old-timey science!

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Old-timey medicine did not fuck around. Do not confuse the orange blossom water for the morphine syrup.

And the requisite haunted doll.

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“Come play at the river with me….”

It’s a thoughtful, wide-ranging museum, and it includes some comparisons between olden times and modern ones. Ever a fan of interactivity in museums, I was pleased to see a wall that invited visitors to write down what they see in an old painting of a young child.

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Veered off topic a bit in places.
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There is no place Argentines won’t leave political graffiti.

Speaking of political scribbles!  A lesson in political cartoons:

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Political cartoon, 1822. “If you thought that political cartoons were a new thing, now we see they are not…”

And, very pleasantly, a comparison of family life and marriage, which includes, for modern examples, two married men and a bi-racial family.  It also talks about how the idea of what constitutes “women’s work” has changed.

There’s more there!  It’s really a lovely, thoughtful history museum and worth a visit.  It’s closed Mondays and Tuesdays except for previously arranged guided tours.  There is a entry fee, and I can’t remember how much it is, but it was inexpensive.

Luján: Museo de Bellas Artes Fernán Félix de Amador [Fernán Félix de Amador Museum of Fine Arts]

This little warm hug of art, I swear.

Now, I am very, very behind, owing to a burst of paying work that I reluctantly gave priority to, so here’s a very brief introduction to a teeeeeny tiny museum.

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Temporary installation piece: “Selfie Couple,” 2018. Hahahahahahahaha.

The Museo de Bellas Artes is located, along with most stuff anyone ever sees in Luján, on the long main square that ends in the basilica. It’s free, and you might spend half an hour there. I believe the art is primarily Argentine. I am especially fond of the motorcycle mantises, from the series “Motomantis,” by Marta Gonzalez.

The main hall:

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And a couple more of my favorite paintings currently on display:

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The museum also features sculptures, including a bit of outdoor sculpture space, although the real work on display here is my terrible, terrible photography:

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Right outside the front door, a sculpture of a woman with a mate.

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There’s even a tiny shop, although it was unmanned during our visit.

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So if you’re in Luján, pop into the art museum and give your eyeballs an art snack. It’s free, open seven days a week, and located right by the basilica, several places to eat, other attractions, and many, many souvenir stands offering a bewildering array of basilica-branded merchandise.